From time to time during the seven years of this blog’s existence, I’ve added new categories for indexing the various kinds of posts one sees on this page. I’ve long eschewed the notion of a specialized blogging pursuit, such as focusing only on the Mariners or on my statistical analyses of the flaws of the stock market or on periodic stints of writing a weekdaily webcomic. It’s likely that choosing any one of these as a singular path would yield greater readership, or at least more strangers reading since they could come to that page specifically for one pursuit or interest. Instead, StoreyTelling ends up being about all of these things and a lot more and really only offers the category/tag clicks as a way of sorting out the kind of content a given reader might be most interested in.
The problem with that, of course, is that the nature of my interests and their specificity can change over time and these categories can then fail to be fully representative of their content. I think the best example of this phenomenon is in the Politics (n.): a strife of interests masquerading category, which has come to include everything from actual voting in American political campaigns to any major story covered by the news to individual myopia to the plight of others to any matter of international concern. This broad brush isn’t all that surprising given that I probably think every one of my posts is political in some way (small-p political) and I have been known to say that all art is political. What exactly politics means is contextual and thus that category is my third most-used, behind Duck and Cover (740 posts, almost all of which are just blog-displays of the comic) and A Day in the Life (621 posts, as my default for just about any written post). But it also means that the category starts to lose its meaning when it discusses such a wide range of topics.
The solution to this would seem to be to subdivide the categories, to try to divide international relations from American politics from commentaries on more tangentially political issues. I guess this is why categories and tags exist as separate entities, though I’ve only used them interchangeably herein. The problem is that any effort to recategorize past posts interferes with one of the cardinal rules of this whole project for me: namely, to not revise or edit past posts. Now, it’s certainly debatable to what extent adding or dropping or specifying categories/tags is really changing the context of a post, and it’s a question I struggle with. Categories like Strangers on a Train or It’s the Stupid Economy were created after a few posts in those directions made it clear that such a unique category was necessary, or at least a good idea. But then the question immediately arises of whether to back-categorize other posts that fall into the genre but predate the actual creation of that category. Does this somehow interfere with the nature of this blog as a time capsule of the person I was in the past, of my perspective, or the authenticity of those observations? Or does it just make it easier for people to find posts they might like?
I think, as is so often the case, the purposes of this blog for myself and for others wind up at a bit of cross-purposes. If this blog were primarily/only for readers, it would likely be trivial to just go back and try to recategorize. Granted that scouring 1,384 posts (though half are just D&Cs, so maybe we can exclude those) for possible re-examination of content through the lens of later-created categories is a big project. But it might be fun to go through everything and re-examine, as I periodically attempt to do anyway. This, after all, gives me the opportunity to use this blog as one of the tools that I prefer it to be, as an educator about where I’ve been, where I’m going, and hopefully how I can screw things up less in the future. But once I’ve altered those categories, I’m saying something just a little bit different from what I said at the time. And then it seems an easy addition to fix typos. And then it’s all too easy to start trying to justify taking out that particularly immature statement, or that awkward phrase, and soon we’ve lost the document’s integrity altogether.
Now, look, I know the slippery slope is a logical fallacy. That said, I also know that almost every road to evil or mistakes is paved in sequential tiny jumps that each make sense in the micro-view and end up becoming a horrible leap downward in the macro-view. I’ve periodically discussed this under the ungainly appellation of the A to B, B to C, C to D Problem. No one would ever go from A to D directly and to consider D from the vantage of A would be absurd. But A to B is just enough of a little compromise/sacrifice/change/jump. And then from the new vantage of B, once adjusted, C doesn’t look nearly so far away as it did before – it’s just as far as A! And so on.
I honestly think it’s hard to explain anything we find regrettable in human history that was caused by sentient thought that doesn’t conform to some version of this progression. This is part of why I don’t really believe that there are evil people. There are a whole bunch of fallible, possibly selfish, but largely well-intentioned people who get caught on these roads and make little hops all the way to really disastrous decisions.
In any case, I care a lot about the integrity of this body of work, combined with the previous blog and even the Waltham Weeklies and other saved documents before that. Because as long as I leave them untouched, they aren’t subject to the kind of revisionist history that our memory naturally is. I have a pretty darn good memory as these things go, with multiple distinct and powerful memories from before my fourth birthday, which I’m told is relatively rare.* But as debates like those sparked in my family about whether I saw E.T. or Tron first prove, my memory is imperfect, or my parent’s memories are. I firmly remember a certain order of events and my parents recall another. And these memories are important for us in shaping our view of the past on which we base our notion of both the present and the future. But there is a truth of the matter. The memory is serving a different purpose than the absolute truth about what happened. And I have a bit of a bias toward the truth as I think it’s a little more stable and informative.
That said, there’s really no way to make memories conform wholly to the truth, or at least not to be damaged by the end results. Obvious example: my marriage. How I felt about my marriage before Emily cheated on me and left me is wholly different than how I felt about it afterwards. But the fact of the experience at the time remains unchanged. In memory, there is no possible way to recall a particular anniversary dinner or a shared moment or some sacrifice she made for me outside of the context of her ultimate betrayal. There is no possible way for me to just envision that pure memory without the tarnish that time and subsequent events put on it. And yet, the actual event was the pure version, without the eventual damage of future events. As a temporal extant being who must constantly remember the past through the new lens of the ever-changing present, that event is fundamentally lost to me, its context forever altered. But with this blog, I can at least read my actual reporting on the event from the precise time it happened and get the most accurate possible rendition of how I truly felt about it at the time, unspoiled by the knowledge of the future.
I think, for what it’s worth, this is what makes betrayal, especially romantic betrayal, so fundamentally devastating. Because it takes all your good memories, all the little buoys of confidence and hope that get us through the tough days, and spoils them. No matter what the actual content of their validity was at the time, they are not only lost, but actively ruined, turned against you to now be little taunts of what you didn’t have. Even if you, in a sense did have them, at the time. This is why I was able to seriously say things like maybe it would have been better had I died in the October 2009 car accident (scroll down to the italicized postscript in that post) after Emily left me – because then I would have died with all those good times intact and unspoiled in perpetuity. As the Smiths put it, “To die by your side is such a heavenly way to die.” This is not just about the joy of a particular moment; it is about the knowledge that this moment will never be so great in the long-term future as it feels right now. The course of events will destroy it.
Now, there is no illusion that this blog, merely by existing here as unaltered testament to the daily updates of a temporally changing being, can actually capture and preserve that magic wholly in a way that is meaningfully useful to combat the damage of, say, betrayal or loss. Because even in reading about the past, no matter how pure or unadulterated the past’s testimony is, the overly introspective ruminative person (that’s me!) will find clues that were never there.
Prime, recent example: in looking for a particular nugget of past testimony in my blog sometime last week, I started reading various posts from the past, as I often do. It’s like getting to hang out with my past self, a close but sometimes annoying friend. And then I discovered, to my absolute horror, that my post about my plans for the summer of 2010 was entitled, by my own choosing, April Come She Will. In the context of my choice at the time, it was innocuous. The post was dated 6 April and I talked about the inevitability of April and how the month often troubles me. But in the context of how that summer unfolded, well, here are the lyrics to the Simon & Garfunkel song which shares a title with that post:
April, come she will
when streams are ripe and swelled with rain
May, she will stay
resting in my arms again
June, she’ll change her tune
in restless walks, she’ll prowl the night
July, she will fly
and give no warning to her flight
August, die she must
the autumn winds blow chilly and cold
September, I remember
a love once new has now grown old
Now, I don’t need to go through a full blow-by-blow of the events of those months in 2010 to demonstrate just how chilling this discovery was to me. After all, you can go read the archives of those months on this page! Isn’t that the whole point? Suffice it to say that this could be a chronicle of the critical months that ended my marriage, down to July being the time of betrayal after an unhappy and searching June for Emily in Liberia, yielding to her cruel indifference in August and everything being over in September. I mean, this could’ve been a poem I wrote about the experience. And I know that this is about a trivial love affair that starts in that same April and is over by summer’s end and I know that I’ve been listening to this song since I was thirteen, but this is exactly the kind of experience that prompted me to spend a fevered day in senior year running around telling all of my friends that we have the key but we just don’t know how to use it. And when they asked me what the hell I was talking about, I just said, in hushed reverent and slightly goggle-eyed tones, that it was “the key“.
What I was talking about, then, was that PLB had told me a story in the midst of our relationship about her father’s first marriage and how his first wife had gone crazy on their wedding night and had a nervous breakdown and couldn’t handle the commitment or the situation and basically disappeared and that it broke her father’s heart and made him kind of a sad, distant person. We were doing a close reading of either Conrad or Kafka in AP English and something in the work triggered the memory of this story and I came to see it as a parable, a warning she was giving me, that had about as much truth-content as her average statement. (Full disclosure: I have no idea whatsoever if this story was entirely true, entirely made up, or some mixture.) At that moment, I felt that this was the one glaring clue she had given me that she was in over her head, was crazy, and that our relationship was doomed.
Now, talk about your revisionist history! It’s probably just as nuts to believe that this was her deliberate warning as it is to believe that I knew the next six months of my life would mirror a Simon & Garfunkel song on 6 April 2010. But doggone it, this stuff gives me the shivers. You can call it irrational pattern-seeking if you want, you can call it confirmation bias, you can call it the deliberate and willful search for something that isn’t there. But I will never be able to see these things without the feeling that there is a deeper code to be cracked in all of this, that things are more embedded that we can imagine. Or, to quote the Doctor Who episode I saw last night:
“People assume that time is a strict progression of cause to effect, but actually, from a non-linear, non-subjective viewpoint, it’s more like a big ball of wibbly-wobbly timey-wimey stuff.”
-The Doctor, Doctor Who, Season 3 of the new reboot, “Blink” episode
How else to explain that I actively try to send my past self psychic messages about the outcome of certain hands at the poker table to be received by my previous self? Or that I sometimes feel I receive those messages? I rarely trust these messages, especially when they are about subpar hands, but the messages of certain strong feelings have a scarily remarkable track-record of being right. And this practice definitely predates poker and probably goes back to a deeply embedded series of beliefs that most people would consider “magical thinking” to be polite and “crazy” to be realistic. And, mind you, no one has been less successfully psychic than me. I still dated PLB, still married Emily, still hired Baia. No wonder I’m obsessed with trying to beat the future.
No, this isn’t all just about having some perfect script of the past to serve as a blueprint for some mosaic of the future, though that’s not none of it either. But the preservation of the perfections, oddities, insights, and tribulations of the unadorned past still feels like the single most meaningful aspect of the project of blogging. And why it will probably be just a little bit harder for you to navigate to the type of content you personally most want to see. As though I didn’t make it hard enough by calling a category that most would label simply Music as “All the Poets Became Rock Stars”. Or by choosing, it would appear, nine categories for this post. Maybe, future self, I just want you to read it. (But not “Read it and Weep”. That’s the Books category.)
*Which reminds me, as a total sidenote, that it just occurred to me how crazy it is that I remember seeing both E.T. and Tron in theaters at a little younger than 2.5 years old. These may even predate my near-drowning experience in swim class that I have always classified as my earliest memory. I’m sure my Dad can weigh in, especially after he rebutted my Ms. Pac Man-post‘s discussion of those two movies with the following:
“The first point about Tron was that it was a DISNEY movie. I grew up loving the Walt Disney movies, the color (not black & white), the animation (though not all were animated). My first drive-in movie (in Carson City) was to see a re-release of Dumbo. I saw Bambi (alone in a matinee) on a big screen one block away from the White House in 1957 in Washington. I loved 20,000 Leagues Under the Sea (in Carson), Another film at the drive-in was Old Yeller, about when I got my dog “Jamie”. Pinnochio and Cinderella were seen several times, my mother loved Fantasia, so I endured that movie (once), but I found the Bald Mountain sequence very scary (like the wicked witch in the Wizard of Oz).
The 70’s and early 80’s were a bad time for movies. Bigger theaters were broken up to create small rooms with small screens (for small audiences). Then they started building “multi-screen” places (not really real theaters), like where ET was shown, out on south Mooney (in Visalia). I generally hated the “small room” mall type movie experience. I loved (best) the movie “Palaces”, like the Grand Lake in Oakland, or the older (depression, WPA mural, type theaters, like the Kimo in Albuquerque and the old original movie house in downtown Visalia. [Note: In many cities in the US West the only place the WPA Arts Project was visible was in the murals painted on the walls (for free) by WPA artists. Often, this WPA art was both the biggest art (and the best) anywhere in town. In time, most WPA movie murals were painted over. Now, most WPA era movie theaters are torn down, converted, or closed. There seem to be NO articles about the movie murals on the web, just modern day full wall posters that date (in concept) from the WPA Art period that still was very alive in the 1950’s.]
Anyway, Mom and I saw Raiders of the Lost Ark, in San Jose (actually in a theater in Sunnyvale or Mountain View) the first time you were “babysat” while living in San Jose. Raiders (July 1981) was not as scary as Star Wars (Darth Vader), but still had a few scary (for children) scenes. I can’t recall any other movie that your mother and I saw until I took you to Tron (Mom, then as now, was not interested and didn’t go). I worked for cable (afternoons, evenings and nights). We bought the RCA discs, mostly Disney movies (Mary Poppins, Dumbo) and Seseme Street and Muppets. Had the (new) Disney Channel on TV.
So, Tron was a DISNEY MOVIE, playing at an old WPA real theater downtown, that had a balcony (just to be safe).
I re-saw Fantasia in an old WPA theater in Berkeley (California Theater, about 1971, before it was broken up), because “everyone else” in the group wanted to see it. It was crowded, so we ended up in the balcony seating. The Night on Bald Mountain scene wasn’t nearly as scary sitting ABOVE Bald Mountain.
We sat in the balcony, in Visalia (at the Visalia Fox Theater), when we went and saw Tron. It was the furthest left re-screen configuration, based on the left side entrance to the balcony seating. The theater was old and fairly shabby then, not impressive. I don’t think I ever went back. Also, for a “cherished” Disney film experience I found Tron very boring and I was very worried you didn’t (wouldn’t) like it, and might not ever want to go to another “real movie” again. I guess I was wrong.
Anyway, Mom had heard good things about ET from other parents. She thought it might be a better movie “for kids”, maybe you, more exciting, better plot. I was more concerned about the “alien” (sci-fi), Star Wars angle. I almost said, after the failure of Tron, “let’s not go.” But “Disney had failed me,” so why not try something new, out in a new theater on Mooney. On Mooney, we sat on the floor (floor level seating), the theater was crowded, unlike an almost empty Tron theater experience. The whole thing WAS scary, even for me.”
-E-Mail from Donald Clayton, 8 December 2014
I love my Dad. You can see I come by this obsession with the past, memory, and context pretty honestly.