I’m still here and still thinking things and still have stuff to write about. But most of it is going in the ever increasing pages of The Best of All Possible Worlds.
I’ve posted about this before, and probably not too long ago. Maybe even on a May 17th before, in this exact place in the universe, looping back ’round to it again. Here we are. It’s not a new concept or a particularly hard concept, but it’s one I feel the need to revisit. When the tide is high with the creative process, lots of writing, a surprising about of reading for how much writing there’s been, then other forms of writing, the chaff, this blog, take a direct hit.
The corollary in the other direction was long obvious – that this blog would get the most attention and care when I was at a low tide creatively in the rest of my life. The times when my job was tugging at my soul and the commute was eating my time would give birth to long flowy metaphorical examinations of my real life in the moment. It was fun, and at least one of you thinks it’s way better than the non-chaff meaningful stuff I try to produce now. It will probably come again sometime, but it is not the time for it now so much. And that’s good.
This is largely because the life itself is relatively unnoteworthy. Sure, stuff happens – Em and I went to a AA baseball game today in Trenton and played bocce ball with friends on the lawn of our military-barrack-trailer-park complex. The sun shone, people bid each other a pleasant summer, embarked for new adventures. Em and I watched two of the four series we’re following on Netflix. We made more plans for the summer to come. But these are the undulations of life of the everyday. And the rest of my time makes these times look fascinating.
Because the rest of my time is extremely unreportable, the most of the mundane. I sit down at the computer at a designated time, aiming for 2-3 sessions each day instead of the normal single overnight session because of the time crunch I’m facing and what a washout April was. I play Tetris, trying to imbue myself with the mood appropriate for quick, magical writing. At a certain point, I stop, having formulated the first sentence to two paragraphs. I switch over to Word, enter my trance, and go. Anywhere from 30 to 150 minutes later, I stop, usually suddenly on a particularly sharp conclusion for that section. I come up for air quickly, surveying practical considerations like how many words I’ve written and whether I’ve overlooked anything intended for that section. Sometimes a quick review, but often not – there’s plenty of time for editing the month after the deadline. Then I start to meditate on the next section and do something mundane like eat or sleep or read.
That’s my life. And when Em departs for Liberia in a week and a half, it will be without those other preliminary things like baseball games and bocce ball and Netflix. It is hard to envision as mundane, because it feels like the most vibrant and important part of my life I’ve ever lived. Every moment carries the sense of purpose that’s so effectively eluded most of the uses of my time. Every day feels deliberate and worth living. But talking about it? Explaining it? Highlighting some quirky thing to capitalize into a post here? Forget it. To the outside observer, writing is about as exciting as watching paint dry.
I guess there are a good number of breaks, though, and this is where the conservation comes in. I did go down to Baltimore for the two Mariner losses in their three-game set with the Orioles early last week. I saw two old friends and ate in two different Waffle Houses a total of three times. I could write the better part of a novel about the third game alone, probably the most objectively exciting game I’ve ever seen, with the final out recorded on a play at the plate that would’ve tied the game. But I don’t have the juice to, because it’s all going to the novel right now.
So maybe it’s not my life that’s any more mundane, for day jobs and commutes are awfully mundane too. It’s probably just about the energy, the focus, the dispersal of creativity leading to blippy vignettes, while extended intense concentration that saps everything else is required to produce the 100,000 word novel.
Let one thing be clear in all of this: I am not complaining.